Posts

Showing posts from March, 2013

╱̷∕╲∖╱╲∕∖̸╲̷╲̸╱̷∕╲Empirical magazine

Image
I did an interview with Empirical magazine, a US based magazine that was just selected by Library Journal as one of the ten best new magazines of 2012.  The interview was followed by 6 (!) pages showing my various modes of work as photographer and glitch artist. Its a funny mix of stuff, sometimes a bit random, but really nice non the less. see the full interview here ╲∕∖̸╲̷╲̸╱̷∕╲∖╱╲∕∖̸╲̷╲̸╱̷∕╲∖╱╲                     ╲∕∖̸╲∕∖̸╲̷╲̸╱̷∕╲∖╱╲∕╲̷∖╱∖∕╲ ╱╲̷╲̸╱̷∕╲∖╱╲∕╲̷∖╱∖∕╲╱╲∕ ∖╱∖∕╲╱╲∕ ∖̸╲̷╲̸   ╱̷∕╲∖╱╲∕∖̸╲̷╲̸╱̷∕╲∖                    ╲∕∖̸╲̷╲̸╱̷ ╲∕∖̸╲̷╲̸╱̷∕╲∖

Wired (ger) reviews Compress Process (Xilitla)

Image
A Spot on review by WIRED (Germany) of my work Compress Process / Videoscapes in their piece "Chaos und Codes": "Als VideoSpiel wäre 'Compress Process ' ein Flop. Zu irritierend, geradezu verstörend ist die Erfahrung"  (trns.: videogame wise, Compress Process is a failure, its annoying).

(ᴳ̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̐litch) Art Genealogies

Image
Opening and Performance by Rosa Menkman :  Saturday 16.03.2013, 20:00 Exhibition: 19.03.-23.03., 14:00-20:00 Tue-Sat Opening performance 16.03.2013 21:00 by Rosa Menkman with works by  Kim Asendorf ,   Nick Briz ,   jonCates ,  Kevin Carey , Bill Etra by Anton Marini,   Emilio Gomariz ,  JODI ,  Nick Kegeyan , Alex Myers ,  Phil Morton ,  A Bill Miller ,   Brenna Murphy ,   no_carrier ,   noteNdo ,   Julian Oliver ,   Bryan Peterson ,  Sabrina Ratté ,    jon.satrom ,   Rick Silva ,   Yoshi Sodeoka ,  Miyö Van Stenis ,  History is the study of lines of descent and origin; the development of families and the tracing of their lineages. (glitch) Art however, does not exist as a linear history or as some kind of glitch continuum. Following Foucault, the aim of genealogy is not to analyse a subjects history from a singular perspective or to try to form a narrative where one eve...

T == Y [[Time transcoded into Depth]]

Image
I used the iPhone Photosynth app to make 3D panoramas of the Nova Drone scanlines. This is T(ime) is transcoded/misinterpreted as Y(depth)           

▊▃▍▃▍▂▎▂▂▎▂▎▃▍▊▃▍▃▍▂▎▂▎▂▎▂▎▃▍Dates

Image
01->03/2014 - Bates College Museum of Art, Lewiston, ME, US. --/12/2013 - Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN, US. --/10/2013 - Performance,  Transitio_MX Festival , Mexico City, Mx.  14/09/2013 - SuperByte, Manchester, Uk.  TBC/08/2013 - Satta Outside, Sventoji, Lithuania.  TBC/07/2013 - with little-scale, Adelaide, Aus. __/07/2013 - Tactical Magick Hobart, Tasmania, Australia. --/06/2013 - Katonah Museum of Art, Katonah, NY, US.  04/05/2013 - co-curate show at Furtherfield gallery, London, UK. 27/04/2013 - Screening at Transcosmic Geometry,  SOMArts, San Francisco. TBC/04/2013 - Chicago ++  __/03/2013 - ACCESSIBILITY2013: CMD+R, Cleveland, Tennessee, US. 16/03/2013 - performance/exhibition LEAP, Berlin, De. 15/03/2013 - visuals for Knalpot Birthday party, Amsterdam, NL 12/03/2013 - Respondent Warren Sack, Goldsmiths, London 01/03/2013 -   Spark video: 99 problems , Syracuse, US. 21-24/02/2013 - C...

Dazed and Confused

Image
Finally I am the proud owner of a copy of Dazed and Confused magazine, which came out on Valentines day and features a very special, meaningful collaboration by me and Alexandra, as part of a curational residency called "pattern recognition" by Lindsay Howard. it can now be found in magazines stands worldwide .