Any thing

░ ░ ░ ***here is some fresh news!  ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ The coming months I will be learning some Spanish cause I will be doing the  CANTE Residency   ( Centro de Arte y Nuevas Tecnologías)  in San Luis Potosi, Mexico  ( July - August).  ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ Besides this, I am very happy to announce that from September on, I will officially be pursuing my PhD through Goldsmiths, London, under the supervision of Matthew Fuller and Geert Lovink. ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ Good times, see you in the cloud!  ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░ ░

 

I recommend watching this with headphones. This is a render of part 1. of the Collapse of PAL (1. Eulogy, 2. Obsequies and 3. Requiem for the blue plains of phosphor), as performed at TV-TV on the 25th of May 2010, Copenhagen, DK . SOUND & TELEVISION is a transmission art project that explores the performativity of television in light of the challenges brought about by a converging mediascape. Signal, noise, liveness and flow along with standardized production formats are all aspects of the television medium which are reshaped in digital, networked media. Rather than a stream-lined sound-image of digital convergence, SOUND & TELEVISION strives to act as a springboard for an aesthetic "media-clash" reflecting on the political-aesthetic of old and new media forms. SOUND & TELEVISION invited me to work with the materiality of audiovisual flows to realize a performance exploring the performativity of television. In this performance, the transmission itself became...